Question 1-9

　　Often enough the craft worker’s place of employment in ancient Greece was set in

　　rural isolation. Potter, for instance, found it convenient to locate their workshops near

　　their source of clay, regardless of its relation to the center of settlement, At Corinth and

　　line Athens, however, two of the best-known potters’ quarters were situated on the cities’

　　outskirts, and potters and makers of terra-cotta figurines were also established well within

　　the city of Athens itself. The techniques of pottery manufacture had evolved well before

　　the Greek period, but marked stylistic developments occurred in shape and in decoration,

　　for example, in the interplay of black and other glazes with the red surface of the fired pot.

　　Athenian black-figure and red-figure decoration, which emphasized human figures rather

　　than animal images, was adopted between 630 and 530 B.C.；its distinctive color and luster

　　were the result of the skillful adjustments of the kiln’s temperature during an extended

　　three-stage period if firing the clayware. Whether it was the potters or the vase-painters

　　who initiated changes in firing is unclear; the functions of making and decorating were

　　usually divided between them, but neither group can have been so specialized the they

　　did not share in the concerns of the other.

　　The broad utility of terra-cotta was such that workers in clay could generally afford to

　　Confine themselves to either decorated ware and housewares like cooking pots and storage

　　Jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C.

　　Athenian pottery establishments are known to have concentrated on a limited range of fine

　　ware, but a rural pottery establishment on the island of Thasos produced many types of

　　pottery and roof tiles too, presumably to meet local demand. Molds were used to create

　　particular effects for some products, such as relief-decorated vessels and figurines; for

　　other products such as roof tiles, which were needed in some quantity, they were used to

　　facilitate mass production. There were also a number of poor-quality figurines and painted

　　(25) pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.